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    Vienna Boys Choir

    The Vienna Boys Choir is one of the world’s oldest choirs composed of purely young boys. It has been a known symbol of Austria for almost 500 years. It all started in 1498 when Emperor Maximilian I of Hasburg, through a letter, called the first 12 boys to the imperial court to become members of the court music band. The choir then was tasked to provide musical accompaniment to the church mass.

    Today there are 100 choristers from 30 different nations between the ages of ten and fourteen, divided into four touring choirs. Between them, the four choirs give around 300 concerts and performances each year in front of almost half a million people. Each group spends nine to eleven weeks of the school year on tour. They visit virtually all European countries, and they are frequent guests in Asia, Australia and the Americas. Together with members of the Vienna Philharmonic Orchestra and the men of the Vienna State Opera Chorus, the Vienna Boys’ Choir maintains the tradition of the imperial musicians: as Hofmusikkapelle (Chapel Imperial) they provide the music for the Sunday Mass in Vienna’s Imperial Chapel, as they have done since 1498. In 2012, the choir participated for the fifth time in the New Year’s Concert of the Vienna Philharmonic Orchestra, conducted by Mariss Jansons.

    The choir maintains its own schools. Almost 400 children and teenagers between the ages of 3 and 18 study and rehearse in the Augartenpalais, a baroque palace and former imperial hunting lodge in Vienna. Beginning with kindergarten, run in cooperation with the city of Vienna, boys and girls are provided with an all-round education. At age ten, the most talented boys are selected to join the choir and enter the choir’s grammar school. All boys are assigned to one of the touring choirs. Academic lessons are taught in small groups. The school offers extracurricular activities ranging from all kinds of sports to attending a wide range of concerts, operas, plays, musicals and movies. The choristers are also encouraged to create their own projects; some form their own bands, others create short skits or films. All choir boys live in the choir’s well-appointed boarding school, with two to three boys sharing a room.

    In 2015, Vienna boys choir - Haydnchor will come to Asian along with their well-known, passionate, and creative resident conductor, Jimmy Chiang, who comes from Hong Kong.

    In the 2014/15 season, there are 24 boys singing in Haydnchor. They are a motley crew, with boys from Vienna, Lower Austria, Styria, Carinthia, and Burgenland, from Afghanistan, Japan, Kazakhstan, Malaysia, Poland, and Romania; there are boys of Polish and of Chinese extraction. The boys sing and speak in a variety of languages.


    This season, Haydnchor is in residence in Vienna; they take turns at singing Mass in Chapel, performing in the Spanish Riding School, and at MuTh. The Haydnchor boys will again take to the High Seas for their production of Britten's vaudeville "The Golden Vanity", and they are involved in a new CD production for a new film by Curt Faudon, to be filmed in 2015: Some of the music researched for "Good Shepherds" can be heard in the Choir's Christmas concerts at MuTh.

    Manolo Cagnin

    Born in Treviso, Italy, Maolo Cagnin developed an interest in music early in life. As a child, he studied violin at the Conservatory of Venice, then later pursued choral music, conducting and composition in Venice and Milan. He completed his studies in Leipzig under Kurt Masur and Fabio Luisi.

    In Leipzig, Mr. Cagnin served as assistant to the Thomanerchor’s artistic director, Georg Christoph Biller. He was music director of the Gewandhaus Orchestra’s 2007 production of “La Tragédie de Carmen”.

    In 2008, Mr. Cagnin was named conductor of one of the Wiener Sängerknaben’s (Vienna Boys Choir) four touring choirs. He prepares the boys for masses with the Vienna Hofmusikkapelle and for appearances with the Vienna State Opera; for sound and video recordings, and for concerts both in Vienna and abroad. 

    Mr. Cagnin feels it is especially important to communicate with the audience, “Music is a gift. As musicians, we have the obligation to share that gift with our audience.” Mr. Cagnin finds working with the boys particularly rewarding, “They possess character and spirit. This is reflected in the way they make music. The children learn from me, and I learn from them.” The repertoire is chosen to match the boys' voices and personalities.

    The spirited choirmaster enjoys touring, and has led his Choir on tours through most of Europe, North and South America, Australia, Canada, China, Korea, New Zealand, Singapore, Taiwan, and Vietnam.

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